showing 92 results matching artist:"Master AS"

advanced
info
Religion. Central panel is a Pieta with an elaborate view of 15th century Bruges in the background. Donors included with saints in the scene. Left wing - St. John; Right wing - St. Catherine Figures of Christ, Mary and Saints all portraits of real people. Artist was primarily a portraitist though fashion of the time demanded religious pictures. Rich costumes of St. Catherine in right wing and donors in central panel reveal artist's interest in color and rich fabrics. People grouped tightly in foreground with little space around them. Space extends backward into picture but not forward. View of Bruges in background characteristic of this painter's work. The non-religious figures save Catherine, surpass the others, and show genuine bent for portraiture. The Spanish cast of Christ's features an unusual detail. STYLE: Flemish paintings in oil on panel derive from earlier schools of manuscript illumination and reveal their influence in: - Colors which are brilliant and harmonious with enamel-like hardness of finish. - Delicacy of technique and proportion. - Minute and sympathetic rendering of landscape. - Long flowing lines in the tradition of the International Style. Grace of pose and gesture also characteristic of this style.

Lamentation with Saint John the Baptist and Saint Catherine of Alexandria, 1493–1501

Master of the Legend of Saint Lucy

G342

stool with case in the form of a standing woman with her arms upraised, holding seat of stool; woman has abstracted, elongated face with half-circle eyes and oval mouth with regular, gritted teeth; short hair in arcing ribs; lozenge-shaped breasts, pointing outward; elongated neck with four ribs (necklaces?); raised elements (scarifications?) on lower back; thick legs; flat feet with separated toes; medium to dark brown patina

Caryatid stool, c. 1910

Master of Lusambo or workshop

G250

a. body; b.right arm; c. left arm; d-g. nails. [Culture formerly "Probably Sevilla, Spain" - FLB, 03/15/2016]

Corpus, c. 1700

Master of Guadalcanal

G341

Genre.

Gathering of Gamblers with Hurdy-Gurdy Player, c. 1660

Master of the Procession

G310

Madonna and Child. No signature or markings.

Virgin and Child in a Landscape, c. 1492–98

possibly Master of the Madonna Grog; Artist: possibly Aert van den Bossche; Artist: formerly Master of the Embroidered Foliage

G342

six scenes from the life of Christ; bottom row the Annunciation, Nativity and Adoration of the Magi; middle row Betrayal of Christ by Judas, the Crucifixion, the Resurrection; top row Ascension and Pentecost

Diptych with scenes from the life of Christ, c. 1375

Attributed to Master of the Passion Diptych

Not on View
roundel: female figure with windblown dress, balancing on one leg on a winged ball, with both arms raised upward; behind her is a rugged valley with a few buildings including a house, churches, and castles

Fortune, 1540

Master AS

Not on View
figure with short black hair and blue skin at center, wearing red striped loincloth, anklets, bracelets and armlets, and necklaces, holding open the bead of a white crane with its tongue sticking out and blood dripping from its beak; another standing figure wearing maroon striped loincloth and holding a red staff at left center; fanciful trees in LLC and at top; three figures with two oxen and a calf at top; red border; white Ararbic inscription at top center

Krishna Kills the Crane Demon, Illustration from a Bhagavata Purana Series, c. 1720

Master of the Court of Mankot (possibly "Meju")

G211

Christ on the Cross with Two Saints, 15th century

Master AG

Not on View
standing man wearing a hat with a wide brim, pushed back on his head, with long ties and robe-like garment; man holds a pen in his PR hand and an open book in his PL hand; standing lion next to and behind man; columns and a wall with architectural details behind man, with landscape and buildings visible beyond columns; sheet trimmed into round shape (tondo)

Saint Jerome, c. 1520

Master of 1518

Not on View
column at center with putti (one sitting, one reclining) holding a horn on each side; putto at L cuddles small animal; garland stretches across top and hangs down sides

Two Genii Sitting at the Base of a Column (section from The Forge of the Heart), 1529

Master I.B.

Not on View
male figure standing in 3/4 pose, holding papers or cards in PL hand and a whip like object in PR hand; empty banderole behind man's upper torso; rocks and weeds at feet

Peasant in Slashed Clothes, 1587

Master MQD

Not on View
Small standing figure with protruding belly, bent knees and very large, flat feet supporting neckrest on its head; unfinished surface

Neckrest, c. 1900

Beniki Master

Not on View
cassone panels; P. Cornelius Scipio Africanus Major storming New Carthage.

The Battle of Zama, c. 1470

Anghiari Master

Not on View
Dance Mask, (Zaire-Kifwebe Association, Songye Tribe); NO PHOTO ON CAT. CARD

Kifwebe Mask, 19th century

Beniki Master

Not on View
cassone panels; Triumph of Scipio Africanus Major

The Triumph of Scipio Africanus, c. 1470

Anghiari Master

Not on View
double sided; front is music sheet with inset scene of the Last Supper on left with decorative painted bordera all around

Corpus Christi, page from an Illuminated Antiphonary, 1484

Choirbook Master

Not on View
One of six known impressions; trimmed all four sides; no watermark.

Saint Lucy, c. 1510

Master I.I.C.A.

Not on View

Mars Bound by Cupid, c. 1515-1520

Master of 1515

Not on View

Christ and the Woman of Samaria, c. 1470

Master of Jesus in Bethany

Not on View

Saint Mark, the Evangelist, 1460–1465

Master E.S.

Not on View
long handle with carved human head at one end, blade protruding from opposite end, metal ring wrapped around figure's neck

Prestige Axe, early 20th century

Beniki Master

Not on View

Hercules and Cacus, c. 1505-1520

Master of 1515

Not on View
Religion: NT.

The Nativity, 1492

Master of the Schleissheim Madonna

Not on View
cotton plain weave with weft design of red, white, blue and green geometric shapes with red and green fringe hanging off the surface and white fringe at ends

Room divider, 20th century

Beniki Master

Not on View

Triumph of Bacchus, 1534

Master V. G.

Not on View

Fortune Sailing on a Winged Globe, c. 1510-1515

Master of 1515

Not on View

The Forge of the Heart, 1529

Master I.B.

Not on View

Saint George and the Dragon, c. 1480-1490

Master AG

Not on View
Thalia and Melpomene

Two Muses (Erato and Melpomene), c.1500-1505

Workshop of Filippino Lippi; Artist: Master of Memphis, possibly Bernardo di Leonardo; Artist: Formerly attributed to Master of Tavernelle (Niccolò Cartoni?)

G343

decorative pattern: two winged nude female figures with animal-like lower bodies flanking a vertical stem at center; each holds a twisted frond that curls, and swirls into larger leaf pattern

Ornament with Two Winged Female Half-Length Figures, 1537

Master of the Horse Heads, Netherlandish

Not on View
standing male figure wearing hooked hat/headgear with flat brim; eyes are white buttons; deep rectangular cavity in abdomen; wide, flat nose; vertical scarifications on face; wide mouth with thin protruding lips; wedge-shaped beard (?); medium wood tone; attached to black base

Power figure, late 19th-early 20th century

Master of Mayama , or his workshop

Not on View

St. Margaret, 15th century

Anonymous Master M. Z.

Not on View

Adam and Eve, 16th century

Master S. H. F.

Not on View

Beheading of Saint Barbara, c. 1501

Anonymous Master M. Z.

Not on View

Beheading of Saint Catherine, c. 1500-1503

Anonymous Master M. Z.

Not on View
man tied to tree at left; man with knife in hand on one knee; man with lyre, seated, pointing; man seated at right; all figures in foreground; arched bridge left middle ground; gate with arch middle ground center; field with sheep left distance; trees at right middle ground; hills and fields at distance

Apollo and Marsyas, c. 1530 (printed c. 1585)

Master of the Die; Artist: After Raphael (Raffaello Sanzio); Publisher: Philippe Thomassin; Publisher: Giovanni Giacomo de Rossi

G317

scene with ten figures in various states of undress, interacting in small groups throughout foreground (two on left, eight in center); goats and sheep scattered between groups; personified trees on hilltops at left and center in midground; third hill, buildings and bridge over river in background; airborne pegasus flying away in flock of birds

Parnassus Profaned, 1530-1540

Master HFE; Artist: Monogrammist HFE

Not on View
Double-sided; hand-illuminated with partially gilded backgrounds, a very small miniature, and borders with flowers, strawberries, and birds. Illumination depicts the vision to the shepherds, surrounded by various plants and birds.

Leaf from a Book of Hours (recto and verso), late 15th century

Possibly The School of the Master of Mary of Burgundy

Not on View

Saint Jerome and the Lion, c. 1509

Master I.B. with a Bird (Giovanni Battista Palumba?)

Not on View

Justice, c. 1465

Master of the E-Series Tarocchi, 15th century

Not on View
Engraving (paperlaid), traces of red color and touches of gold.

Euterpe, c. 1465

Master of the E-Series Tarocchi, 15th century

Not on View

The Triumph of Scipio, 16th century

Master of the Die; Artist: after The Antique

Not on View

Christ Carrying the Cross, c. 1480–90

Master WH; Artist: Reworked by Master AG; Artist: After Martin Schongauer

Not on View
male figure swooning against a tree, looking dramatically to his R at a grotesque, decaying figure with skull-like face and long hair who pulls at his arm; hourglass at figure's feet

Death and the Foot Soldier, 1532

Attributed to Master ER; Artist: After Jacob Binck

Not on View
woodcut in black, hand colored with brush, stencil and watercolor on laid paper, mounted on the inside cover of a coffer, constructed of wood and iron; cover with nine iron fittings, hinges, a lock and hidden compartment on the top of the cover; dark brown/black patina on exterior; unfinished wood at interior; woodcut is image of the Annunciation, with Mary at left wearing maroon dress and red cloak, looking at a book on a stand; angel at right wearing a blue gown and red cloak with yellow trim, carrying a staff; dove between figures; interior with arches and green columns; text at bottom; latches have vertical leaf designs; fittings on front are openwork with leaf-like and heart motifs; received without a key

Coffer with print of "The Annunciation", c. 1490–1500

After the Master of the Very Small Hours of Anne of Brittany (Jean d'Ypres?)

Not on View

Saint Veronica with the Sudarium, c. 1475

Unknown German, 15th century; Artist: after Master E. S.

Not on View

The Judgment of Solomon, c. 1465

Israhel van Meckenem; Artist: After Master E.S.

Not on View

Death Surprising a Woman, c. 1490-c. 1540

Master M. (School of Agostino di Musi, called Veneziano)

Not on View

The Dice Players, 16th century

Anonymous Master P.V.L.

Not on View

Christ Before Pilate, 15th century

Master AG

Not on View

Saint Matthew, c. 1490

Master FVB

Not on View

Saint John, c. 1490

Master FVB

Not on View

St. Anne, Virgin and Christ Child, 16th century

Anonymous Master G.

Not on View

Marriage of Psyche's Sisters, 16th century

Master of the Die

Not on View

Charles V and his Brother Ferdinand, 16th century

Master C.B.

Not on View

Allegory: Hoffart Get vor dem Verderben, 1531

Master C.B.

Not on View

Leaf from a Book of Hours (recto and verso), late 15th century

The School of the Master of Mary of Burgundy

Not on View

Leaf from a Book of Hours (recto and verso), late 15th century

The School of the Master of Mary of Burgundy

Not on View

Page from a Book of Hours (recto and verso), 15th century

The School of the Master of Mary of Burgundy

Not on View

A Triton Ridden by a Child, 16th century

Master of the Sforza Book of Hours

Not on View

The Virgin and Child Enthroned with Saint Anne, c. 1512-1513

Master NA-DAT with the Mousetrap

Not on View

The Great Tournament at Munich, 1500

Anonymous Master M. Z.

Not on View

Martydom of Saint Sebastian, 1500

Anonymous Master M. Z.

Not on View

Two Lovers (The Embrace), 1503

Anonymous Master M. Z.

Not on View

Knight and Lady on Horseback, c. 1500

Anonymous Master M. Z.

Not on View

Four Soldiers: Halbardier, Standard Bearer, Drummer and Fifer, 1500

Anonymous Master M. Z.

Not on View

The Great Ball at Munich, 1500

Anonymous Master M. Z.

Not on View

Madonna of the Well, 1501

Anonymous Master M. Z.

Not on View

Profile of a Man in a Turban, 18th century

Anonymous Master W. H.

Not on View

Print, 16h century

Anonymous Master M. Z.

Not on View

Leaf from a Book of Hours (recto and verso), late 15th century

The School of the Master of Mary of Burgundy

Not on View

Leaf from a Book of Hours (recto and verso), late 15th century

The School of the Master of Mary of Burgundy

Not on View

Leaf from a Book of Hours (recto and verso), late 15th century

The School of the Master of Mary of Burgundy

Not on View

Leaf from a Book of Hours (recto and verso), late 15th century

The School of the Master of Mary of Burgundy

Not on View

Leaf from a Book of Hours (recto and verso), late 15th century

The School of the Master of Mary of Burgundy

Not on View

Leaf from a Book of Hours (recto and verso), late 15th century

The School of the Master of Mary of Burgundy

Not on View

Leaf from a Book of Hours (recto and verso), late 15th century

The School of the Master of Mary of Burgundy

Not on View

Leaf from a Book of Hours (recto and verso), late 15th century

The School of the Master of Mary of Burgundy

Not on View

Leaf from a Book of Hours (recto and verso), late 15th century

The School of the Master of Mary of Burgundy

Not on View

Leaf from a Book of Hours (recto and verso), late 15th century

The School of the Master of Mary of Burgundy

Not on View

Illuminated Page, from a Book of Hours, recto and verso (Horae), 15th century

attributed to The School of the Master of Mary of Burgundy

Not on View

Page from a Book of Hours (recto and verso), 15th century

attributed to The School of the Master of Mary of Burgundy

Not on View

The Death of Adonis, 16th century

Master L.D.; Artist: after Luca Penni ?

Not on View

Illuminated Page, from a Book of Hours, recto and verso (Horae), 15th century

attributed to The School of the Master of Mary of Burgundy

Not on View

Illuminated Page, from a Book of Hours, recto and verso (Horae), 15th century

attributed to The School of the Master of Mary of Burgundy

Not on View

Page from a Book of Hours (recto and verso), 15th century

attributed to The School of the Master of Mary of Burgundy

Not on View

Illuminated Page, from a Book of Hours, recto and verso (Horae), 15th century

attributed to The School of the Master of Mary of Burgundy

Not on View

Illuminated Page, from a Book of Hours, 15th century

attributed to The School of the Master of Mary of Burgundy

Not on View

The Assumption of the Virgin, c. 1532

Master of the Die; Artist: After Raphael (Raffaello Sanzio or Santi)

Not on View

Envy Driven From The Temple of The Muses, 16th century

Master of the Die; Artist: After Baldassare Peruzzi; Workshop: Thomassin

Not on View

St. John in the Desert Surrounded by Symbols of the Four Evangelists and the Four Fathers of the Church, c. 1466

Israhel van Meckenem; Artist: after Master E.S.

Not on View

showing 92 results matching artist:"Master AS"

Download results as CSV